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In the ‘en plein air’ ( in plain air ) tradition Lynch’s work begins with sketches and oil studies in the field. His trade-mark liberal paint application, dramatic brushstrokes and powerful compositions are driven by direct observation of the world around him. “The discipline demands my full attention and presence - it keeps me grounded. There’s nothing like the real thing.”
 
                         
    
    
      
      
        
      
      
        
        
          
        
        
 
      
    
   
    
    
      
      
        
      
      
        
        
          
        
        
 
      
    
   
    
    
      
      
        
      
      
        
        
          
        
        
 
      
    
   
    
    
      
      
        
      
      
        
        
          
        
        
 
      
    
   
    
    
      
      
        
      
      
        
        
          
        
        
 
      
    
   
    
    
      
      
        
      
      
        
        
          
        
        
 
      
    
   
    
    
      
      
        
      
      
        
        
          
        
        
 
      
    
   
    
    
      
      
        
      
      
        
        
          
        
        
 
      
    
   
    
    
      
      
        
      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